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Sabtu, 06 November 2010

[N154.Ebook] Ebook Download Drawing Cutting Edge Anatomy: The Ultimate Reference for Comic Book Artists, by Christopher Hart

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This drawing tutorial from best-selling author Christopher Hart shows artists how to draw exaggerated musculature of super-sized figures in action poses.

Sales Rank: #204830 in Books
Brand: Random House
Published on: 2004-10-01
Released on: 2004-10-01
Original language: English
Number of items: 1
Dimensions: 11.01" h x .41" w x 8.46" l, 1.07 pounds
Binding: Paperback
144 pages

From School Library Journal
Adult/High School–While it won't replace a more traditional study of anatomy, this book covers the basics in good detail, always relating the discussion of bones and muscle groups to the exaggerated physiology found in comic books. The illustrations are lavish, often in full color, with black and white used for the drawings where color would obscure the lesson being imparted. A mixture of comic-book-proportioned anatomical drawings and finished art helps to show the transition between fact and presentation, with the text highlighting what has been emphasized as well as what has been left out to get the proper look. The last part of the book includes a discussion of how the comic-book business works and several interviews with artists, all of which drift from the topic of anatomy somewhat but is still useful and interesting. Attractively presented and educational, this title will be popular with comic-book fans who like to draw.–Paul Brink, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
CHRISTOPHER HART is the world's bestselling author of drawing and cartooning books. His books have sold more than 6 million copies and have been translated into 20 languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals, and they have been selected by the American Library Association for special notice.

Most helpful customer reviews

42 of 47 people found the following review helpful.
A Pleasent Surprise
By Matthew Pulido
I am an artist by trade. I grew up wanting to draw comics. Since getting an art (illustration)degree I have used my talent mainly on local adds and a few small book projects. But I still read comics, and draw them when I can.

I stumbled on this book in Barnes & Noble's one day, and flipped through it and it's counter part on Cutting Edge Comics. Both impressed me, so I picked this one up and put the other on my short list.

Anatomy is a tricky subject. I studied it in college, and a have a decent understanding. I own several other anatomy books, and even the art ones seem more for doctors than artists. And lets face it, comic book characters arn't built like normal people. All that said, I think this book does a wonderful job of laying out the muscle groups, explaining how they work, and exagerating them for comic book use. Both scientific and common terms are used, everything is in plain english, and there are plenty of examples. While at times it seems more like a referance guide than a how to book, that isn't really a problem. Every great artist knows the value of good referances. Over all the art is of an above average quality, with a few gems here and there. While it may not be as flashy as some of the best art currently being published in comics, it's still clear, well done, and easily gets it's point accross.

I don't think an young artist can go wrong giving this book a look.

24 of 27 people found the following review helpful.
another opinion . . .
By sarah palaszynski
i am an illustrator and a recent art college graduate and i actually found this book very informative and helpful.

i was surprised by the negative reviews of the book because i saw it as a very adequete refresher course of the lessons and ideas i learned in my classes while majoring in Illustration.

it covers 7 (and sometimes 9 and 12) head anatomy, muscles and how they react while in action, facial muscles, veins, and skeletal structure.

it also covers important details like body language, eye structure, LIGHT SOURCES, and surface mapping (to get an impression of the form and dimension s of the body).

i'm actually using a few sections of this book in a con-ed cartooning class for children i'm teaching at the moment.

i'd recommend the book if you want a quick run through of the differnt ideas for constructing the comicbook ideal of anatomy. from these ideals you can branch out into your own style and make it your own.

24 of 28 people found the following review helpful.
It made me a better artist!
By Young Artist
I am a 15-year-old and have been interested in drawing comic book art for a few years now. I started out buying How to Draw Comics the Marvel Way. It was really good, yes because well-established comic book artist wrote it, but it didn't really grab my attention. Then, I saw How to Draw Cutting Edge Comics. This book really got me into drawing comic book characters. Then, I saw that he had a new book, How to Draw Cutting Edge Anatomy. I was especially excited because drawing the actual people interested me more than drawing anything else in comics. I quickly looked through it and bought it. I have never looked back.

It honestly taught me so much. It starts with skeletal structure which, I believe, has to be the first thing an artist needs to learn before learning the rest of the anatomy. Then, it goes on to basic muscles. After this, it has many sections focusing on different muscle groups and parts of the body. While the pictures do help, it was what he wrote that helped. They way he explains what the muscles look like and how they move is very understandable. I loved it.

I have been looking for an anatomy book that's at least moderately clean - I'm just not comfortable with drawing nude figures; I just want to draw comics. There are not very many comic book drawing books out there that focus on anatomy and are still modest. This one does a great job of it and it is one of the cleanest ones I have found. Some of the pictures of the girls are seductive and immodest, but I try to not focus on that. There's so much more to learn in this book!

The styles of other how-to-draw-comics just didn't catch my attention like this one did. You see, I don't want to develop a Stan Lee or George Perez style, I want my own. Learning from an author that isn't an established artist in the comic book world seemed to ease the pressure of making my style like his. All I can say is that I love this book. It has its flaws, yes, but every how-to-draw book has its flaws. I read this drawing book, and others, but especially this one, to help me draw better. What can I say? I love it!

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Senin, 01 November 2010

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Published on: 1990-04-18
Binding: Hardcover

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Jumat, 22 Oktober 2010

[H130.Ebook] Free Ebook Will Grayson, Will Grayson, by John Green, David Levithan

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One cold night, in a most unlikely corner of Chicago, Will Grayson crosses paths with . . . Will Grayson. Two teens with the same name, running in two very different circles, suddenly find their lives going in new and unexpected directions, and culminating in epic turns-of-heart and the most fabulous musical ever to grace the high school stage. Told in alternating voices from two YA superstars, this collaborative novel features a double helping of the heart and humor that have won them both legions of fans.

Sales Rank: #9066 in Books
Brand: Dutton Juvenile
Published on: 2011-04-05
Released on: 2011-04-05
Original language: English
Number of items: 1
Dimensions: 8.19" h x .94" w x 5.50" l, .65 pounds
Binding: Paperback
310 pages

Amazon.com Review
Amazon Best Books of the Month, April 2010: What's in a name? A pretty fantastic book idea, for starters. At heart, Will Grayson, Will Grayson is about a couple of kids figuring out how to be themselves. Two of those kids happen to have the same name, and not much in common outside of that, but their serendipitous friendship sets the stage for a much larger, braver, and more candid story than the simplicity of the plot might suggest. The relevance for teens here is clear--high school is the only time in your life when you have the undivided opportunity to obsess over your every move, sentence, and outfit change--but the part about understanding who you are doesn't stop when you graduate. That's what makes Will Grayson, Will Grayson as interesting a pick for adults as it is for teens: the questions don't get simpler, but looking at them through the eyes of a 16-year-old brings a welcome sense of honesty and humor to this thing called life. No one's ever too old to enjoy that. --Anne Bartholomew

Amazon Exclusive: David Levithan and John Green Talk About Names

Will Grayson, Will Grayson is about two teenage boys with the same name, whose lives intersect in unexpected ways. The book originated with the thought of giving two different boys the same name, and to give that name some meaning. It also comes from David's own experience. So to give you an inside peek at the making of the book, we figured it would be fun to give you insight into our own names, as well as Will Grayson’s.

David Levithan

To my knowledge, there are only two other David Levithans in the world – my dad’s cousin, and a lawyer in South Africa who, as far as we can tell, isn’t family. The last name Levithan is actually the invention of an immigration official – when my great-grandfather came to America from Russia, it should have translated to Levitan. But somehow the h got in there. Now, whenever I meet another Levithan (which is rare), odds are good that he or she is related to me.

That said, the story of Will Grayson, Will Grayson came from someone whose name is close to mine, but not identical. David Leventhal went to Brown at the same time I did, and people would confuse us often.

This ended up being something of a joke, because David was an extraordinary dancer, while I was…not an extraordinary dancer. So people would exclaim, “We had no idea someone as clumsy as you could be so graceful on stage!” and I’d have to say, “Well, un, that wasn’t me.” Finally, right before graduation, I contacted David and we met up. We became instant friends, and when we both moved to New York after college, we were always in each other’s company. The similarity of our names often threw people for a loop… and I thought, well, that might make an interesting story.

Amusingly, David Leventhal’s college roommate’s name was . . . Jon Green.

John Green

I was named after my great-grandfather, John Michael Crosby, an itinerant minor-league baseball manager and occasional catcher. I like my name, but being a John Green can certainly be inconvenient, because there are a lot of us. Among many others, there is John Green the realtor in Mississippi (who owns johngreen.com, much to my chagrin), John Green the Australian botanist, and of course John Green the world-renowned Bigfoot scholar. This last John Green, who is so revered in the field of Bigfoot research that he is often called “one of the four horseman of Sasquatchery,” is kind of my mortal enemy. I once wrote a magazine article in which I passingly noted that Bigfoot is, you know, fictional, and John Green replied with a letter arguing that my anti-Bigfoot stance was besmirching the good name of John Greens everywhere.

Such is the curse of being a John Green. Or a Will Grayson, for that matter.

Will

We decided that I (David) would choose our character’s first name, and John would choose his last name. I liked the name Will because of its different, sometimes contradictory, meanings. As a noun, it can be so strong – where there’s a will, there’s a way, and whatnot. But as a verb, it’s split. Sometimes it’s just as definite (It will be done!), but that definiteness is underscored by an uncertainty – you say it will be done, but it hadn’t been done yet, has it? And put it at the start of a question (“Will you still love me tomorrow?”) and it becomes the entrance for all kinds of vulnerability. That seemed right for the characters.

Grayson

I liked Grayson because whenever I would hear that name, it always sounded to me like “grace in,” which always struck me as a richly ambiguous phrase – is “grace in” the beginning of a clause or the end of it? Are we being asked to find grace in something, or to let grace in? Those questions seemed like interesting ones for the guy I wanted to write about.

From School Library Journal
Gr 9 Up–Told in alternating chapters, with alternating narrators, John Green and David Levithan's brilliant story is beautifully rendered in audiobook format. When Will Grayson, an awkward teen who is unsure of how to connect with others without getting hurt, and will grayson, an angry, gay teen, both living in the suburbs of Chicago, meet by chance, their lives are forever changed…and connected. Will Grayson's gay best friend, Tiny Cooper, suddenly becomes will grayson's new boyfriend. The relationship doesn't last, though, and the aftereffects almost shatter Will and Tiny's friendship. Delving deep into the relationships in each teen's life, the authors address friendship, self-identity and acceptance, true love, family, and prejudice in a novel sure to touch the hearts of listeners. MacLeod Andrews and Nick Podehl give wholly believable and heart-rending performances. The narrators also provide wonderful singing performances when snippets from Tiny's musical, “Tiny Dancer,” appear in the text. This title contains some strong language and adult themes, but is an excellent addition to high school collections.Jessica Miller, New Britain Public Library, CT
© Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
*Starred Review* Two superstar authors pair up and really deliver the goods, dishing up a terrific high-energy tale of teen love, lust, intrigue, anger, pain, and friendship threaded with generous measures of comedy and savvy counsel. Though the ensemble cast revolves around Tiny Cooper, “the world’s largest person who is really, really gay, and also the world’s gayest person who is really, really large,” the central characters are the two titular narrators, who share a name (but don’t meet until partway through) and trade off alternate chapters. One Will has been Tiny’s satellite for years but is starting to chafe at the role—especially after Tiny forcibly sets him up with Jane, an infuriatingly perfect match. The other, whose clinical depression is brilliantly signaled by an all-lowercase narrative and so intensely conveyed that his early entries are hard to read, sees at least a glimmer of light fall on his self-image after a chance meeting with Tiny sparks a wild mutual infatuation. The performance of an autobiographical high-school musical that Tiny writes, directs, and stars in makes a rousing and suitably theatrical finale for a tale populated with young people engaged in figuring out what’s important and shot through with strong feelings, smart-mouthed dialogue, and uncommon insight. Grades 9-12. --John Peters

Most helpful customer reviews

94 of 100 people found the following review helpful.
Powerhouse of Awesome
By amandapsychedelia
I've been waiting for this book to come out since it was announced. Some background on my reading history: I love all of John Green's books and I love what I've read of David Levithan. So, naturally, I had high hopes for this awesome collision of genius.

Will Grayson, Will Grayson is the story of two guys named Will Grayson: they are not related, they have close to nothing in common, and neither, in fact, knows that the other one exists. That is, until their volatile meeting in the middle of this book. In a porn store. In life-crumbling circumstances.

As usual with these two authors, the characters are realistically crafted and easy to relate to. There were times throughout the story that I felt myself nodding in sympathy or feeling vindictive hatred for the unfortunately dead-on portrayal of selfishness and angst that's common in most high school teenagers. What I love about these characters is that they are decidedly fluid individuals who learn life lessons and cry and hope and dissect situations to ridiculous extremes and hold grudges and appreciate love and friendship. This is the kind of book that reminds you what a coming of age tale is supposed to be.

My favorite character was Tiny Cooper. If I had to choose my favorite Will Grayson, I would choose Tiny Cooper. He was just that awesome. Tiny is the very large, very gay, and very fabulous best friend of John Green's Will Grayson. He has received funding from the student council in order to put on a musical he wrote himself called Tiny Dancer--which is, of course, all about Tiny Cooper. He is the show stealer of the book.

On the opposite end of the character spectrum, I never felt much of a connection with Jane, the love interest of John Green's Will Grayson. This is probably because I've come to expect much of John Green's girls. I was infatuated with Alaska Young and Margo was a fantastic multi-dimensional character. I had the same sort of problem with Jane as I did with the heroine of An Abundance of Katherines--I just never fell in love with her.

As for Levithan, I'm still pondering why he chose to write his portion using no capitals. I like to think that it's because his Will Grayson is just too apathetic to care about using a shift key. Authors trying to be innovative with the stylizing their narrative is usually a hit or miss for me. In Levithan's case, the innovation wasn't so over the top that it became pretentious, which--and I'm not naming any names--tends to happen.

For what's it worth, I have absolutely no regrets for paying the twenty dollar price for this book. John Green and David Levithan are a witty powerhouse of a team and I hope that they decide to do more work together in the future. I recommend Will Grayson, Will Grayson to all fans of humorous, romantic, intelligent coming of age tales.

10 of 10 people found the following review helpful.
Funny and Dark, Funny and Thoughtful
By Middle-aged Professor
My 15-year old son and I both enjoyed this double threaded teen self-realization story. The contrivance of two different Will Graysons is a mere decorative topping to two stories of teenage boys coming to terms with themselves, while both rotating around an outsized (personally and physically) friend named Tiny. One Will battles depression and comes to terms with his sexuality, the other Will his timidity and fear of feeling. Their alternating narration and narrative styles keep the story fresh, if not surprising, and their humor allows rich development of some serious themes. The book lost steam towards the end---the climax is not very climactic---but was intelligent and entertaining throughout. Both Tiny and one of the Wills are gay, and their sexuality is certainly very prominent in the book. And, while by no means does it make their life easy, I was struck by the ease with which the theme fit into the rest of the story. This is not the way such a story would have been told twenty years ago, or even ten, and, when I was a teenager 30+ years ago, I doubt it would have even been published. Very, very cool to see it now as just an important, integrated theme in the book. That was the highlight that will stay with me.

34 of 44 people found the following review helpful.
Once more, with feeling!
By The Compulsive Reader
Will Grayson has been Tiny Cooper's best friend since elementary school. Tiny is, according to Will, "the world's largest person who is really, really gay" and constantly falling in and out of love--and dragging Will with him everywhere. When his latest attempt to hook Will up with a girl fails, Will meets Will Grayson, another teen who is depressed and discouraged. Both Wills make an effort not to feel too much in life, but are changed after meeting, and continue to change as Tiny puts on his extravagant and fabulous autobiographical musical, "Tiny Dancer", culminating in an unforgettable and powerful night.

John Green and David Levithan have created a very unique, surprising, and downright hilarious novel. The book is told in alternating chapters, and it's very easy to distinguish which point of view each author is writing from. Their characters are so different, but at the same time the book is very cohesive and engaging. Green's Will is a lot like some of his previous characters: funny, self-deprecating, and a bit nerdy and self conscious, but he is a terrific friend and an honest person. Levithan's Will is a bit darker. He is lonely and depressed, and it's evident throughout most of the book that he is hurting and doesn't know how to be himself, or even be happy. Each Will possesses his own authentic voice, and the chapters flow seamless together, playing off each other well with Tiny as a good (albeit a little self-centered) central character.

The plot is complex, and the change in each Will may be gradual as each one sorts out their own myriad of problems and issues, but the journey is funny, rough, and best of all, smart (for example, Schrondinger's cat is used as an extended metaphor throughout much of the book). Will Grayson, Will Grayson is brilliant and intelligent read about love, appreciation, and feeling with an unflinching and bold style that many teens will appreciate.

Cover Comments: I really like this cover! It is very fitting that since there is a musical in the book there is a spotlight on the cover, and the perspective is different. The font is also pretty cool--I like how some of the letters of the title run into each other. This is just a really excellent cover!

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Selasa, 19 Oktober 2010

[Z983.Ebook] Ebook Download Radiobiology for the Radiologist, by Eric J. Hall, Amato J. Giaccia

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In print since 1972, this seventh edition of Radiobiology for the Radiologist is the most extensively revised to date. It consists of two sections, one for those studying or practicing diagnostic radiology, nuclear medicine and radiation oncology; the other for those engaged in the study or clinical practice of radiation oncology--a new chapter, on radiologic terrorism, is specifically for those in the radiation sciences who would manage exposed individuals in the event of a terrorist event. The 17 chapters in Section I represent a general introduction to radiation biology and a complete, self-contained course especially for residents in diagnostic radiology and nuclear medicine that follows the Syllabus in Radiation Biology of the RSNA. The 11 chapters in Section II address more in-depth topics in radiation oncology, such as cancer biology, retreatment after radiotherapy, chemotherapeutic agents and hyperthermia.

Now in full color, this lavishly illustrated new edition is replete with tables and figures that underscore essential concepts. Each chapter concludes with a "summary of pertinent conclusions" to facilitate quick review and help readers retain important information.

Sales Rank: #108926 in Books
Published on: 2011-06-06
Original language: English
Number of items: 1
Dimensions: 10.25" h x 7.25" w x 1.25" l, 2.34 pounds
Binding: Hardcover
576 pages

Review

"Radiobiology for the Radiologist 7th edition does an admirable job carrying on the tradition set by its predecessors. It retains the succinct and understandable style that one familiar with older additions would expect while adding color illustrations which will no doubt appeal to many new adopters of the title. Once again, this book can be recommended with no reservation to radiologists in training, graduate students in the biomedical sciences who employ radiation in their research, and all others who are interested in learning foundational information about this fascinating area of science and medicine. "

- MedicalScienceBooks.com

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14 of 15 people found the following review helpful.
Missing Figures in Kindle Edition
By John B Fiveash
This review is for the Kindle edition only. I have purchased two prior hard cover editions of this book and looked forward to the 7th edition on my Kindle and iPad. The Kindle edition is missing some of the figures in several of the chapters. I confirmed this on my Mac as well. Editor needs to fix this.

14 of 15 people found the following review helpful.
Still missing figures from chapters 5 and 6
By susehahna
This is a great book - I have most editions, but the Kindle edition, which i was looking forward to is still missing the figures from two chapters. Most of the rest are here, and I can probably look them up in the earlier editions, but it shouldn't be this way.

10 of 11 people found the following review helpful.
Great book, but don't get the Kindle version
By Padlock
This is a great textbook, but don't buy the Kindle version - several chapters are missing multiple figures/diagrams. For some inane reason, Amazon's contracted tech support could not look at the book to see if the problem was with the digital book itself (vs. a glitch in file transfer to me). As the customer, I was inconvenienced and told I had to "return" it and re-buy. This didn't help, and out of frustration I purchased the hard copy. Now my credit card bill has 2 purchase & 2 returns of the Kindle version and 1 purchase of the hard copy - sheesh! Come on Amazon, please establish a functional, working relationship between your tech support and publisher; quit inconveniencing your customers! I want the time I spend emailing/talking to customer support back!

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Minggu, 17 Oktober 2010

[G376.Ebook] Download PDF Summer Tree-Fionavar Tapestry Book 1, by Guy Gavriel Kay

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Published on: 2006
Binding: Paperback

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This booklet proposes how we, human beings living in the 21st century, can restore our creativity for realizing global sustainability.

At first, the authors would like to appreciate and share herein with potential readers a review by Marshall Goldsmith uploaded at Amazon.com on February 23, 2016, written for our requesting his supporting introduction, as it seems to explain most kindly and successfully what this book is in the simplest manner, far beyond our words:

“This book fired up my imagination in entirely new ways! From the early chapters on the Samurai’s concept of stewardship to the final analyses of human potential, this book, written by three of today’s most important social-economic thought leaders, is full of powerful ideas that resonate across commercial and social boundaries. Applied, multidisciplinary thinking at its best!”

The creativity of human beings has been deserted and deteriorated to a great degree after the epoch-making invention of scientific administration unintentionally resulting in spreading self-central thoughts to gather own welfare as the first priority and then the value of greed throughout the world.

Worst of all, since its invention at the early 20th century, the program of scientific administration seeking for efficiency limitlessly and avoiding the inevitable inefficiency of creative activities has been installed into modern human beings to the extreme that we assume it as the most fundamental logic or algorithm not only for general decision making but also for almost all thoughts in life.

Through a conceptual designing of ‘Friendly AI’ and a thought experiment of whether such AI is feasible or not, this booklet discusses why the stagnation of the creativity of human beings is happening seriously and globally, addresses how it is causing the relative shrinkage of the actual global economy and resulting in the current economic turmoil, and proposes, as the source to revive the human creativity, the stewardship compounding the two complementary values of individual freedom and social harmony, by utilizing a specific model of the inherited Bushido, the ethical system of the chivalry of old Japan.

This booklet assumes and expects as readers not only AI engineers but also all of young and old, male and female, aiming to take the initiative in exploring the sustainability of organizations, corporations, nations and global society.

Sales Rank: #1456119 in eBooks
Published on: 2016-01-07
Released on: 2016-01-07
Format: Kindle eBook

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0 of 0 people found the following review helpful.
Reviving Creativity!
By Marshall Goldsmith
This book fired up my imagination in entirely new ways! From the early chapters on the Samurai’s concept of stewardship to the final analyses of human potential, this book, written by three of today’s most important social-economic thought leaders, is full of powerful ideas that resonate across commercial and social boundaries. Applied, multidisciplinary thinking at its best!

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Kamis, 07 Oktober 2010

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Published on: 1990-12-17
Binding: Paperback

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